Celebrity Measurements

The Oppenheimer director, who used no CGI for depictions of nuclear science, is surprisingly excited about the controversial tool.

The countdown to the release of Oppenheimer continues to tick and is almost up. The film is described as a devastating look into how the world changed when the ultimate weapon of warfare was created. The first reactions are glowing, praising the film as one of Christopher Nolan’s best works. Many have said that the film is one that will leave you shaken. A biographer of the infamous historical figure who is the subject of the film has even said to still be emotionally recovering after an advanced screening.

The filmmaker at the helm, Christopher Nolan, has also boasted that Oppenheimer, which will no doubt feature a depiction of an atomic explosion, was made with no CGI. Nolan is known for his commitment to preserving classic cinema. He prefers to use modern filmmaking techniques in a more realistic way. He doesn’t shoot digital. He will still use film, but will use the most sophisticated, advanced means to do so. How does Nolan deal with AI now that it is a threat to all things artistic? In a recent interview with Wired, Nolan is surprisingly somewhat in favor of it.

As Oppenheimer showcases the world changing with technology in the right hands, Nolan equally feels AI needs to be used with a certain responsibility. “I feel that AI is still a powerful tool for us. I’m very optimistic about it. I’m really optimistic. But we must view it as an instrument. If we give AI the status of a human being, as we did at some point legally with corporations, then yes, there will be huge problems. If we accord AI the status of a human being, the way at some point legally we did with corporations, then yes, we’re going to have huge problems.”

Nolan adds that he does see benefits of its use, “The whole machine learning as applied to deepfake technology, that’s an extraordinary step forward in visual effects and in what you could do with audio. Longer term, there will be amazing things in terms environments, building a doorway, or a window. These are going to be powerful tools.”

From his perspective, the interviewer asked Nolan how he plans to use this tech. “I’m very much an old analog fusty film maker. I shoot on film. I give the actors an authentic experience. In terms of my work, I try to use technology to its best advantage. Like if we do a stunt, a hazardous stunt. You could paint over the wires and make them more visible. Things like that.”

The Oppenheimer director, who used no CGI for depictions of nuclear science, is surprisingly excited about the controversial tool.

The countdown to the release of Oppenheimer continues to tick and is almost up. The film is described as a devastating look into how the world changed when the ultimate weapon of warfare was created. The first reactions are glowing, praising the film as one of Christopher Nolan’s best works. Many have said that the film is one that will leave you shaken. A biographer of the infamous historical figure who is the subject of the film has even said to still be emotionally recovering after an advanced screening.

The filmmaker at the helm, Christopher Nolan, has also boasted that Oppenheimer, which will no doubt feature a depiction of an atomic explosion, was made with no CGI. Nolan is known for his commitment to preserving classic cinema. He prefers to use modern filmmaking techniques in a more realistic way. He doesn’t shoot digital. He will still use film, but will use the most sophisticated, advanced means to do so. How does Nolan deal with AI now that it is a threat to all things artistic? In a recent interview with Wired, Nolan is surprisingly somewhat in favor of it.

As Oppenheimer showcases the world changing with technology in the right hands, Nolan equally feels AI needs to be used with a certain responsibility. “I feel that AI is still a powerful tool for us. I’m very optimistic about it. I’m really optimistic. But we must view it as an instrument. If we give AI the status of a human being, as we did at some point legally with corporations, then yes, there will be huge problems. If we accord AI the status of a human being, the way at some point legally we did with corporations, then yes, we’re going to have huge problems.”

Nolan adds that he does see benefits of its use, “The whole machine learning as applied to deepfake technology, that’s an extraordinary step forward in visual effects and in what you could do with audio. Longer term, there will be amazing things in terms environments, building a doorway, or a window. These are going to be powerful tools.”

From his perspective, the interviewer asked Nolan how he plans to use this tech. “I’m very much an old analog fusty film maker. I shoot on film. I give the actors an authentic experience. In terms of my work, I try to use technology to its best advantage. Like if we do a stunt, a hazardous stunt. You could paint over the wires and make them more visible. Things like that.”